How did you find that info? I'm looking at one of my mp4s shot in p-log using exiftool and I can't see any reference to YUV.According to the video exif, it should be YUV, but that just turns everything purple
How did you find that info? I'm looking at one of my mp4s shot in p-log using exiftool and I can't see any reference to YUV.According to the video exif, it should be YUV, but that just turns everything purple
Fair enough. But did you note the part where he talks about the difficulty of working with LOG? It’s not just in Resolve. I believe (not 100% sure) the same applies to lumetri in PP, Final Cut color wheels and curves, and pretty much everything. However you do it, life is going to be a lot easier to convert to rec 709 first. Well, you could not shoot in plog to begin with, but then you’ll lose some detail in the blacks. It depends what your doing.
It’s worth mentioning that if you do have a recent Mac, you could convert to p3 instead, which is a much much wider color gamut than rec 709, but you’ll eventually have to convert to Rec 709 anyway if you plan to post online or share with anyone other than a Mac user or a professional editor.
Very educational but way more then I would ever need. Maybe this winter when the snow is on the ground and it's 40 below I might make time to tinker with it LOL
Maybe by then they will have he Anafi camera profile also![]()
Actually the Anafi is 10bit. I believe the Mavic Air is as well. Correct me if I’m wrong, but I also think the GoPro Hero 4 Black was 10bit (with Protune turned on), so I assume the 5 and 6 are as well.r
Whenever I shoot on my GH5 for work, I have an Atomos inferno with a Rec 709 preview LUT that I am monitoring the camera through. Trying to shoot log without a histogram let alone scopes is almost impossible. Getting a good correction and then applying a LUT is key. The simplest way is to drop the shadows and mids and bump the highlights then bump up the overall saturation. That will get you to a place where you can then apply a LUT and tweak from there. LUTs are basically pre-packaged color grades and less is more. When LUTs are applied at 100% it reminds me of really bad HDR photography from 10-12 years ago.
The color space should stay REC 709 for input and output. Chances are you do not have an HDR monitor and 97% of the people viewing your footage online do not have one either. REC 2020 is just a wider gamut for 10-bit or 12-bit footage.
I just got the Anafi. I’m still experimenting with it and just doing quick color corrections to see what I can get out of the camera (mostly while riding in the back of a bumpy land rover in Iceland)... so I haven’t really checked. I’m gonna be pissed if it’s 8bit because they advertise 10bit.All the tools I have used say 8 bit depth. What tool are you using to identify 10bit?
I agree with what you say regarding 4k to 1080p but I do it so I can crop, recenter or stabilise the footage too. Much more flexible to shoot the next size up from delivery![]()
You know what... they don’t! At least I didn’t see it just now after a quick check of their web page.Where did they advertise 10bit![]()
Where did they advertise 10bit![]()